Ph.D., History of Art, Yale University

M.A., History of Art, Courtauld Institute of Art

B.A., Art History and Computer Science, Smith College

Entries. In On the Basis of Art: 150 Years of Women at Yale, edited by Elisabeth Hodermarsky. New Haven: Yale University Art Gallery.

"Shiny Black and Layers of White: Japanned Papier Mâché, Race, and the British Empire." Journal of Design History. https://tinyurl.com/shinyblackandlayersofwhite

"Narrative Time and the View from the Nineteenth Century." In Marking Time: Objects and Temporality in Britain, 1600–1800, edited by Edward Town and Angela McShane, with the assistance of Glenn Adamson. New Haven: Yale Center for British Art in association with Yale University Press.

Entry. In Unto this Last: John Ruskin at 200, edited by Tim Barringer, with Tara Contractor, Victoria Hepburn, Judith Stapleton, and Courtney Long. New Haven: Yale University Press.

Honorable Mention, NVSA Graduate Student Essay Prize

MacMillan Center Summer Fellowship

Artist Collectivity Summer School, Paul Mellon Centre

Summer Fellow, World Monuments Fund

Five College Digital Humanities Undergraduate Fellowship

Graduate Student Teaching Fellow, Center for Teaching and Learning, Yale University

Teaching Fellow, "Art and Myth in Greek Antiquity," History of Art, Yale University

Teaching Fellow, "Introduction to the History of Art," History of Art, Yale University

Rose Herrick Jackson Intern, American Paintings and Sculpture, Yale University Art Gallery

Digital Humanities Teaching Fellow, "Global Sacred Art and Architecture," History of Art and DH Lab, Yale University

Research Assistant, Chitra Ramalingam, Yale Center for British Art

Graduate Research Assistant, Yale Center for British Art

Research Assistant, Tim Barringer, History of Art, Yale University

Technology Fellow, Harvard Art Museums

"Kate Bunce's Musica: Radical Victorian Women" for Victorian Radicals
Yale Center for British Art, Gallery Talk, cancelled due to COVID-19

"Augustus Leopold Egg: Radical Ambiguity"
Radical Victorians, Yale Center for British Art, cancelled due to COVID-19

Moderator, "Word/Image Studies of the Nineteenth Century"
18th and 19th Century English and Theory and Media Studies Colloquia

Opening Conversation for "Unto this Last: Two Hundred Years of John Ruskin"
Yale Center for British Art

"Anachronic Love: Edmund Blair Leighton's Historical Genre Paintings"
Time: Immaterial, Studies in Anachronic Art History, University of York

"Briton Riviere and Charles Darwin: Animal Expression in Human Narratives"
Literature's Animals, Bristol University

"A Desktop Editor for GPS-based iPhone Audio Tour Apps"
NERCOMP Emerging Digital Scholars Workshop, Norwood, Massachusetts

Co-convener, British Studies, Yale Center for British Art

Co-convener, Eighteenth- and Nineteenth-Century Art and Visual Culture Colloquium, Yale University

German, French, Spanish, Old Nahuatl, Modern Huasteca Nahuatl

HTML5, CSS3, JavaScript, jQuery, Node.js, Socket.io, Java, Python, Processing